Issue 03 · The Economics of Everyday Life

Article 05

The Economics of Speed: How Motorsport Turned Global Attention into a Business

The Economics of Speed examines how Formula 1 transformed from a traditional motorsport into a global entertainment and business empire. The article argues that the sport's most valuable product is not the racing itself, but the global attention generated by the racing. It traces Formula 1's evolution from Bernie Ecclestone's traditional “toll-booth” model, based on broadcasting rights and circuit hosting fees, to Liberty Media's modern “attention engine,” which actively creates audiences through streaming, social media, Netflix, celebrity culture and expansion into new markets. The article explores how this model has increased Formula 1's revenues, team valuations and sponsorship opportunities, while simultaneously creating pressure on teams, race promoters and fans. It also examines the United States as Formula 1's key “density” market and uses India's unsuccessful Grand Prix as a case study of the gap between having a large audience and being able to monetise that audience. Ultimately, the article questions whether Formula 1 can continue growing at its current pace. Its central argument is that attention alone has little economic value unless it can be efficiently converted into revenue.

Kushal Nahata·Feature Article·9 min read

It is 10 p.m. on the Las Vegas Strip, and the most famous gambling street in the world has been closed to traffic and turned into a race track. Formula 1 promoted this race itself, kept the ticket money, sold the hospitality, and scheduled the start for 10 p.m. local time, which is prime time in Europe and 1 a.m. on the American East Coast. The event was built for the screen, not the grandstand. Only 1.3 million Americans watched the debut on television, fewer than half the 2.6 million who watched the Miami Grand Prix a year earlier. And yet Las Vegas still helped push Formula 1's 2023 revenue to $3.2 billion, a 25 percent jump, with the final quarter alone generating £950 million.

The contrast contains the whole thesis of modern motorsport. The race itself was, by most sporting standards, a curiosity. The business around it was a triumph. Motorsport has never really been about engines. It is about attention: how much of it can be generated, and how efficiently it can be converted into money. Formula 1 spent seven decades perfecting that conversion, and it has built one of the most valuable sports properties on the planet. The question is not whether the sport is popular. It is whether the business built on that popularity can survive its own success.

Consider the machine in 2024: 24 races in 21 countries, 1.6 billion cumulative television viewers, 6.5 million spectators at the circuits, and $3.65 billion in revenue, up 14 percent on the year before. Revenue has grown for four consecutive years. In 2018 it stood at $1.8 billion. Attention, once converted, compounds.

The Product Is the Audience

Formula 1 does not sell cars, and it barely sells racing. It sells access to a global audience. The revenue structure makes this explicit: in 2024, media rights contributed 32.8 percent of total revenue, race promotion 29.3 percent, and sponsorship 18.6 percent. The cars are the content that manufactures the audience; the audience is the inventory that gets sold to broadcasters, promoters, and brands.

This is why the sport behaves like a scarcity machine. There are now only eleven teams, each effectively a franchise, and twenty-four race slots per year, most locked into multi-year contracts with cities and governments. When General Motors wanted in, it had to pay a reported $450 million dilution fee on top of more than $1 billion in startup costs, paving the way for the TWG Cadillac F1 Team to officially debut as the grid's eleventh franchise for the 2026 season. The Andretti saga, the Cadillac fee, the decade of waiting for a new entrant: all of it is the same story. The asset being rationed is not track time. It is the right to sit inside the attention machine.

The First Machine: The Toll Booth

For most of its history, Formula 1 ran on a simpler model. The sport's commercial boss for four decades, Bernie Ecclestone, understood that the racing was irrelevant to the economics; the television audience was the product, and the circuits were the customers. His machine had two levers: sell the broadcast rights once, then charge every venue a hosting fee to be on the calendar. The model worked so well that by 2018, the year after the sport changed hands, hosting fees were the largest single source of revenue: 21 races paying an average of $29.4 million each, for a total of $616.7 million, with contracts that included annual escalators of up to 5 percent.

The toll-booth model had one weakness: it converted attention that already existed and did nothing to create more. If a market lacked a promoter rich enough to pay the toll, the sport simply did not go there, no matter how many people wanted to watch.

India is the perfect case study in that weakness. When the Indian Grand Prix arrived at the Buddh International Circuit in 2011, the attention was enormous: 95,000 fans at the first race, millions on television. But the promoter, Jaypee Group, had invested roughly $400 million with no government support, and paid an estimated $40 million a year in licensing fees to Formula 1. The state classified the sport as entertainment, not sport, and taxed it accordingly. The first race recovered only about $21 million in revenue; the second recovered half of that. Jaypee eventually wrote off losses of more than $25 million. The race ran three times, from 2011 to 2013, and died in a tax dispute. The crowds were there. The machine was not.

The Second Machine: The Attention Engine

In 2017, Liberty Media bought Formula 1 for roughly $8 billion including debt, and the sport's economics changed character. Liberty's insight was that the toll booth had been collecting from the wrong side of the market. Instead of charging venues to access an existing audience, the sport could manufacture more audience, then sell it to everyone at once.

The manufacturing tool was content. Liberty opened the paddock to Netflix's Drive to Survive, turned races into week-long events, ran celebrity and influencer programmes, and pushed the sport onto social media with the intensity of a media company, which is what it had become. The US market responded. ESPN, which had picked up the broadcast rights for around $5 million a year in 2018, saw its fees climb to a reported $90 million annually before traditional cable networks were priced out of the arena. By 2026, the attention engine hit its next structural transformation: Apple TV took over as the exclusive U.S. media rights partner in a five-year deal worth $150 million per year. This shift effectively transferred live racing from linear TV bundles directly into the digital streaming ecosystem, embedding Formula 1 content across the tech giant's global consumer platforms.

The American fan base grew from 36 million in 2021 to more than 50 million by 2024. The audience got younger, with the average age falling to 32, four years younger than in 2017, and the female share nearly doubling. Hollywood followed: a feature film starring Brad Pitt was released in 2025, treated by the sport as another marketing asset.

Then came the expansion into the United States itself. Miami joined the calendar in 2022, Las Vegas in 2023, and a sport that had spent decades treating America as a broadcast market suddenly had three home races, each designed as much for sponsors and celebrities as for racing fans. The toll booth had been replaced by an attention engine: generate more viewers, more followers, more hours of content, and sell each unit of attention to more buyers.

The Three-Way Squeeze

The new machine distributes its proceeds, and its costs, among three stakeholders: the teams, the promoters, and the fans. All three have been transformed, and all three are being squeezed in different directions.

The teams have been disciplined into profitability. Before 2021 there was no cost cap, and the top teams were spending more than $400 million a year in an arms race. The cap arrived at $145 million in 2021, fell to $135 million by 2023, and is set to rise to $215 million in 2026 under the new regulations. The result has been a profitability shock in the good sense: McLaren lost $137 million on $166 million of revenue in 2018 and made a $76 million operating profit on $700 million in 2024. Team valuations have followed, with the average team now worth $3.42 billion, more than double the 2023 average, and Ferrari alone valued at $6.4 billion. The squeeze on teams is the squeeze of success: their value now assumes growth that insiders themselves concede will slow.

The promoters face the old toll in a new form. Hosting fees still climb, with escalators built into contracts. But the real power play is the alternative: where no promoter is willing or able to pay, the sport now promotes the race itself. Las Vegas is the only event Formula 1 directly promotes, meaning it keeps the ticket, hospitality, and sponsorship revenue for itself. The message to every circuit is blunt: you are replaceable. The circuit is not the asset. The audience is.

The fans are the silent party in the squeeze. The Las Vegas race started at 1 a.m. on the American East Coast, trading the US audience for European prime time. The 2024 Las Vegas event generated less ticket and hospitality revenue than its debut, and Formula 1's fourth-quarter revenue fell as a result. And the audience itself is drifting: the average global audience per race has fallen from 87.65 million in 2020 to 70 million in 2022, and to about 66 million in 2024. More races, more events, more content, each competing for a share of attention that is not growing at the same speed.

The Density Equation

The answer, the sport believes, lies in density: not density of orders, as in e-commerce, but density of monetizable attention in a single market. The United States is the density play. Fifty million fans, three home races, and the world's deepest pool of sponsors: DHL extended a deal worth about $40 million a year, Crypto.com signed on at $20 million a year, and LVMH committed to a ten-year global partnership.

The same playbook is now being exported. In 2024 Liberty agreed to buy 86 percent of Dorna, the commercial rights holder of MotoGP, for an enterprise value of €4.2 billion. The symmetry is almost too neat: CVC Capital Partners was forced to sell MotoGP in 2006 as a condition of its Formula 1 acquisition, and the stake Bridgepoint bought for about €500 million that same year has now been sold for €4.2 billion. Attention, once the machine learns how to convert it, can be bolted onto a second sport and a second audience.

This is the deeper logic of the whole enterprise: scarcity times conversion. Eleven teams, twenty-four races, one series, and a machine that has learned to turn every minute of that scarcity into broadcast fees, hosting fees, and sponsorship dollars. Cadillac's $450 million entry fee is not an anomaly. It was the price of admission to a market where the attention is already being converted.

The Unresolved Question

So can the machine keep growing? The honest answer is: not at the same speed, and perhaps not in the same way.

The signs of strain are visible. The US television audience has hovered around 1.1 to 1.2 million per race since peaking at 1.21 million in 2022. The global per-race average has been drifting down for years. Las Vegas, the flagship of the new model, earned less in its second year than its first. The cost cap, introduced to make teams investable, has restructured to a base baseline of $215 million under the financial regulations active this 2026 season. Meanwhile, team valuations are heavily priced for an environment that executives openly admit faces a structural growth cooling period.

The India test hangs over all of it. India is the largest attention market the machine has failed to convert. Formula 1 tried and left after three years; MotoGP returned to the Buddh circuit in 2023, and its 2024 edition was cancelled after the local promoter breached its contract with Dorna. The failure was never about the size of the crowd. It was about the absence of the surrounding economy: no state subsidy, no sponsor base deep enough, no promoter rich enough to pay the toll. Attention without conversion is just a crowd.

This is not the story of disruption and infinite scaling that the sport's owners want to tell. It is a story of constraint: of a machine that manufactures attention faster than the world can monetize it, and that must now choose, race by race and market by market, where the conversion is worth the cost. The economics of speed are not a solved equation. They are a live experiment, and every city that pays to host a race, every team that pays to enter one, and every fan who pays to watch is a participant in it.

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